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My mother always defined herself as a writer, although her published writings were sparse.  She wrote one book under her own steam, a memoir about her time in Paris the year before I was born, and then, after my father died, various small books about personal health, which were an assignment from a publisher.  Otherwise she mostly just wrote encyclopedia entries. She was always pushing me to write, something in which I had minimal interest. I hated school and I hated writing term papers, but I will always be eternally grateful to her for (after watching me struggle – at the age of 10 – to write a rather lengthy term paper by hand, in what’s now referred to as “cursive”) walking me over to her manual typewriter and showing me that even if I only typed with two fingers, I could put thoughts on paper faster than I would if I wrote by hand, and my hand would get less tired.  A few weeks later, she started teaching me how to touch type.  Many people my age brag about how they refused to learn to type because they did want to be (eeew) secretaries, but I can say with gratitude that because I learned to type, I got a good job as a secretary, which led to a decent job as an editor, with nothing but a high school diploma, and that I never had to work in food services or retail at a minimum wage with no benefits.

          I think my mother had dreams and projections not so much about my writing, as about my being a writer: the kind who didn’t care about fashion and didn’t wear makeup, but rather wore large hoop earrings and hideous open toe sandals in the summer, and grew into young adulthood dating scruffy men with beards (when I was in grade school, a number of college-age girls we knew who wrote poetry were this type). To me this would have been a fate worse than death and the thought of ending up this way just compounded my dislike of schoolwork (although as I got older I read quite a lot of serious literature).

The only thing I remember working hard at as a teenager (other than my three or four unsuccessful attempts at dieting; I would lose 30 pounds and gain it back every other year until I was 18) was playing the piano.  I practiced really really hard and entered several competitions for young people.  I even got to the semi-finals in one. I was also interested in singing and had spent my childhood imitating Julie Andrews, but wires got crossed and when I was 13 or 14, a few weeks after a music teacher friend of my mother’s told us that I had an exceptional singing voice, I started smoking because I had heard that it would spoil my appetite. (I returned to singing twice: once at 26 after I quit smoking the first time, and again, permanently at 54, and it has been an obsession ever since.)

          I also began writing when I was 54.  I was in a state of unrequited lust over the gay man who had encouraged me to sing,* and the story of him and me was spinning around in my head, but I couldn’t talk about it out loud because I didn’t know anyone who didn’t either know me in connection with my partner Betty or know me from work. So I turned the episode into a play.  The play mirrored the real situation almost word for word (this man had said some absolutely ridiculous and smarmy things, and it was healing to read them out loud and laugh), but I didn’t think any audience would believe that a woman in her 50s living in New York could be that stupid or naïve, so I changed the demographics so that the heroine was in her 20s and living in Texas.  The play turned out to be a rather amusing RomCom and was produced at a community theater in Texas. (It has since languished because I just don’t think it will pass muster during the Me Too era.) 

          I gave my mother a copy, which she kept in her bedroom. As a point of comparison, she kept a young male friend’s novel-in-progress, which she and I both agreed was pretentiously opaque, on her coffee table in the living room, perhaps because it was “postmodern” and added to her image of herself, whereas having a daughter who wrote the theatrical equivalent of a “chick flick” did not.

          As I was writing the play, I certainly didn’t think of myself as having homework.  I felt that a devil was behind me with a pitchfork, and maybe one was: the man I was writing about looked a lot like Mephistopheles even down to owning an orange leather suit! I felt so compelled to write that I spent my lunch hours and time on subway platforms scribbling in a notebook and then came home and transferred what I had written to a computer file.

            My first experience with writing-as-homework was when a therapist told me I would feel less blocked (as a person working at home in a dull job, not as a writer, per se) if I “did” The Artist’s Way**. This program included writing three pages in longhand (which considering the size and childishness of my handwriting meant that they would contain less prose than most people’s) every morning.  I suppose I “cheated” because I had coffee and fed the cats first, but it was a useful exercise.  Doing that led me to decide to write a memoir.

          I now write something every day: a bit of memoir, a blog post, pieces for this writing competition. I found that it is not that hard if I just sit down and do it. On the other hand, if someone asked me “who are you?” “a writer” is probably the last thing I would say. And if someone asks me “what do you doooo” (an irksome question for those of us who may have had interesting lives but never had an interesting job) I say “I sing”. I probably spend more hours of the day writing, or copy editing to earn money, than singing, but never mind.  It is when I am singing that I feel most alive. Most people I meet for the first time ask me if I am some kind of performer because I always wear “stage makeup,” even to the laundry room. If I were going to “be” something I would much rather be a singer (big hair, perfect posture) than a writer (snarled hair, round shoulders).  Although of course the world has moved on and writers look all sorts of ways, particularly since many of them these days end up as talking heads on television.

          The best thing about writing is it is a way to leave a legacy.  I wouldn’t even have to be published; I could just put instructions on how to access my computer files in my will. Mostly I write because I don’t want to die anonymous. Which is a good reason for giving myself “homework”.

 

[*He is mentioned at the beginning of my earlier piece “Periphery”babydramatic-1950.dreamwidth.org/4090.html

 

** https://en.wikipedia.org/wiki/The_Artist%27s_Way]

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 I remember the exact moment when I stopped enjoying food.  I was 12, and had had the flu for two weeks. After two weeks with a raging fever—tossing, turning, sweating, and not eating—I woke up 15 pounds thinner.  The five foot three, 125 pound girl who looked back in the mirror was someone I had never seen. (I had been in the 90th weight percentile for my age since I was 5, and when I went to bed with the flu I weighed 140.) Now this was not the moment when I first noticed my weight.  That had happened five years earlier when I was about 7. I was probably not as fat as I thought I was; I was simply not ectomorphic. Yes, I weighed 20 pounds more than most of my female classmates, but I was also quite a lot taller.  The reason I knew I was fat was that people commented on it, not just as an aesthetic handicap, but as a moral failing.  Like when our second grade teacher passed around a box of chocolates to a group of (maybe 15) of us, saying “take one”.  There were several layers of chocolates in the box, probably 40 in all.  So I took two.  Who ever heard of anyone taking one chocolate the size of your thumbnail? Even tv commercials tell you that. (“Betcha can’t eat just one.”) Anyhow, I was roundly excoriated by the teacher for being greedy, and my size was mentioned in the process.  Then there was the time I was eating a sandwich in the lunchroom next to a skinny athletic boy (we were about 9) and I said “I love mustard” only to be smarmily chastised by this boy who said “You’re not supposed to love food [insert critical parent type sneer]; you’re only supposed to love people.” I wanted to say that you could love both, that it really wasn’t the same kind of love, but could not get myself to speak up.  Even then, I knew that children didn’t appreciate nuance. But despite all this, and despite my sometimes going for weeks at a time without eating dessert or any type of sugary snack (I was able to discipline myself to do this by telling myself that eating sweets was “childish”), I never got any thinner and I couldn’t stop enjoying food.

          Until I saw what I looked like waking up from the flu. So the challenge became: if I could be that thin sick, could I be that thin well?  I mean “thin” is relative.  My idol, Beth the Ballerina, was the same height I was and weighed 90 pounds.  Even if I was no longer overweight (no longer overweight for an adult if I had been one, anyhow), I still had chunky thighs, and was still bursting out of a bra size 34B. I did not look like a ballerina or like the sort of “classic” 12-year-old who might be the heroine of a children’s novel. So I set out not just to maintain the weight that I had become, but to achieve “Beth-hood”.  My mother found me a private ballet teacher. I made her take me to a fancy brassiere shop to buy a minimizer bra.  I let my hair grow.  I tried to live on 500 calories a day.  I grew another inch and lost another 10 pounds. I had a nervous breakdown and ended up sitting in a psychiatrist’s office.

          About six months later I gained back all the weight but—thanks to the ballet lessons, the fact that I was now five foot six, and the redistribution of weight that happens when you grow up—I had permanently lost my chubby awkwardness.  I now looked like Kim Novak.  I dyed my hair blonde. I looked like Jayne Mansfield. I was popular with boys.  But I still longed for sveltitude (it was the era of Twiggy and Mia Farrow). I was no longer reprimanded for being greedy, but was told that I looked trashy.  Girls from my social class didn’t have big boobs when they were 13 or 14. So I made friends with blue collar girls instead. Once my father died I was no longer an upper middle class girl anyhow.

          I lost and re-gained 25 pounds again. I started smoking to spoil my appetite.  A music teacher friend of my mother’s told me that I had an exceptional singing voice (I had spent my young childhood imitating Julie Andrews) but it was more important to me to smoke and be thin(ner).

          Whatever I weighed that week, during those years I certainly never enjoyed food. I often ate nothing all day so that I could eat one of the nightly four course dinners my mother was famous for. Or I made my own meals (meat and veggies, no starch or sugar) and sulked over dinner (I was not allowed to go to my room.) Then, after a few weeks, not being able to stand it anymore, I went to the local candy shop and bought a pound of fudge. Or I went to a coffee shop and treated myself to a club sandwich with bacon and turkey.  Did I enjoy it? Not particularly.

          When I was 19 I discovered diet pills, which I washed down with copious amounts of alcohol.

****************************************************************************************************

          At 25 I got sober. I was down to 125 pounds again. As was the case post-flu so many years earlier, I decided that if I could be that thin drunk, I could be that thin sober. This time I actually managed it for a few years.  I was away from my mother and her cooking, I had rooms full of peers in recovery to emote to when I felt hunger pangs (I learned that drama was as successful an appetite suppressant as amphetamines), and I had just met Betty and we were madly in love.

          Gradually my weight crept up.  I stopped smoking (penalty: 15 pounds).  So I was no longer at my thinnest, but not as heavy as I had been as a teenager.  Also, the benchmarks had changed.  As a 12-year-old I had been conspicuously heavy.  As a 30-year-old (the age at which I had my last cigarette) I was about average. But I still didn’t enjoy food.  Betty and I fought about what foods were “allowed” in the house.  We fought about what time meals could be eaten. She had been extremely thin all her life.  She didn’t get it.

****************************************************************************************************

          I don’t remember when I began to enjoy food again.  I was probably in my mid-forties. I was now in a senior management position and could no longer afford to spend large swaths of the day too hungry to think clearly.  I still ate mindfully and ate sweets sparingly, but I noticed that I felt better if I ate six times a day and not three.  I gained about five more pounds but not more.  Now that I was no longer hungry all the time I was no longer obsessed with food, and the fear that I would keep eating and not be able to stop gradually dissipated.  I had been away from my mother’s enormous dinners for several decades.  Betty and I usually ate dinner in bed in front of the tv.  We served ourselves a modest amount (she often left half of hers) and didn’t go back for “seconds”. 

I discovered that in social settings as an adult, it was ok to talk about enjoying food. People said things like “I love mustard”. No one called them greedy or piggy. People talked about restaurants they liked.  I joined in the conversation.

****************************************************************************************************

          I am now almost 70 and Betty is 84.  She is bedridden and has dementia.  I believe that the progression of her medical conditions was hastened by her picky eating habits.  The last time she was in the hospital one of her diagnoses was “severe malnutrition.”  She weighs 90 pounds.  She fights constantly with the home attendants (and me) about not wanting to eat this, that, or the other. I see that extreme thinness resulting from picky eating habits does not age well. My mother was four foot ten and weighed 180 pounds and she was fit and active until she was about 93. I still weigh 145 but am now only five foot two. So I am now overweight again.  Tough tomatoes. I suppose I enjoy food, although I enjoy many other things more.  I am still mindful of what I eat. I don’t eat sandwiches very often, certainly not at home because I don’t keep bread in the house.  But there is a little French grocery store near where Betty lives that makes wonderful sandwiches on pumpernickel ciabattas.  My favorite is Swiss cheese with lettuce and tomato – and mustard.  And yes, when I have one I enjoy it very much!

 

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At 14, I suddenly became fatherless (my father died of a heart attack on the street). There was a large, secular funeral. We had very little family, but my parents had a large circle of friends, and as a tenured university professor, my father had a coterie of adoring adjuncts and students. Nonetheless, we had no prescribed rituals. One friend of my father’s, an atheistic secular Jew, said that “these times are hard for people like us”, meaning that no religious tradition told us what the next steps should be. In fact, on the morning we were told that my father had died, I was not even sure whether or not I was supposed to go to school.

My father’s death was traumatic, but it hardly left me feeling “orphan-like” or “Dickensian,” a prototype very much in my thoughts because by the time my father died I had read almost all of Dickens, fallen in love with his works, and been intrigued by the large number of orphans, or at least children without mothers, who seemed to have lives of freedom that I could only dream of. So our family was deprived of an upper-middle-class income and a stern patriarch, but, counterintuitively, “parenting” increased exponentially as my mother fearfully micromanaged everything I did, much more than she had previously, particularly as one of my father’s interventions had been “leave her alone!” not to mention that he wanted at least some of her attention on him, not me. And there were even more mountains of food than had been supplied by the lavish dinners my mother had served every night to welcome my father home, dinners which, from hors d’oeuvres to dessert, contained more than a day’s caloric requirement for a 14-year-old desperate to get her BMI below 25. Thanks to the endless hordes of friends and neighbors trying to be helpful and sympathetic, there was now a round-the-clock feast, and a house filled with round-the-clock guests. Fifty years later, I realized that by endlessly eating and socializing, my mother was dealing with grief, but certainly neither she nor I were “pining” which, as a euphemism for weight loss, was the prevailing stereotype of grieving.

I did not have a good relationship with my father during the last two years of his life. Only a few months before he died we had had a knock-down, screaming, physical fight over my anger that a classmate, Hannah (not her real name)—skinny, quasi-orphaned (her divorced mother had lost her job and had dispersed her four daughters to stay with various friends and relatives), bitchy, and oh, so Dickensian—had been living with us. My father told me to feel sorry for her. I called her a bitch (not to her face, but in a loud voice within her earshot, in a family argument) because not only had she taunted me for being fat, she had also cajoled and wheedled my mother into making a Laura Ashley type shift dress for her like the one she had made me, and then had preened around telling me how much better she looked in it than I did. In any event, my no-holds-barred rage at Hannah led my father to beat me (something he had only done once before, when, while on a crash diet, I had had a screaming tantrum—about nothing—fueled by low blood sugar) all the while telling me how fortunate I was compared with Hannah. In retrospect I realize that what hurt me more than the beating was the fact that he “just didn’t get it”. I did not feel more fortunate than Hannah. She was everything I wanted to be: thin (despite eating whatever she felt like), independent (even when she was living “at home” with her mother she mostly supported herself with babysitting money), self-confident, and skilled at squeezing sympathy and admiration out of other people. She might have elicited some sympathy from me if she had had any of the cultural markers of poverty that I had been taught to be aware of—poor speech, ignorance of books and of the arts, clothes of inferior make—but she did not. Really the only two things that set her apart from other girls our age whom I might have invited for a sleepover were her crooked teeth, and the fact that she did not own a pair of pajamas, but instead slept in frayed dungaree shorts and a t shirt.

It took me years to realize that the most critical sequela of my father’s death was not a reprieve from future beatings or my mother’s endless dinner parties mostly peopled by catty gay men and sexually exploratory girls in their twenties (not the best role models for a teenage daughter), but our permanent fall from the “professional middle class”. At first I did not notice it because the only things that ended were things I hated anyhow. I no longer went to a private school, and we stopped going away for extended periods during the summer. I was thrilled to be out of the private school where I was at the mercy of two girl cliques: the rich Jewish girls who showed off their clothes and social precocity, and the thin WASP-y girls who showed off their forever pre-pubescent thinness. And I couldn’t have cared less if we didn’t go away much. Who at 14 wants to take a vacation with her parents? Excursions out of town did still occur, but they were fewer and farther between. By that point, I hated them, even the summer weekends, because at the height of my obsession with my weight (whatever I weighed that particular month) I loathed and feared summer clothes and usually kept on a knee-length skirt and stayed away from the beach (and of course it was impossible to stick to any kind of diet if I was either someone’s guest or staying in a hotel). And even worse, my mother, with her misguided generosity, once or twice took Hannah on one of these trips, which for me was sheer Hell. My mother seemed to adore Hannah (this adoration took the form of a combination of pity and admiration), and the bitter irony of it all was that what my mother adored about Hannah was her feistiness, spunk, and independence, traits that my mother’s style of “helicopter parenting” made it impossible for me to develop.

Years later, a mentor of mine referred to women like Hannah as “killer waifs”, And reader, I ended up with one as a life partner, albeit one whose saving grace was that she adored me, thought I was gorgeous at any weight, made me feel like a princess, and was extremely generous with money when she had any.

Combining a casual elegance (she was of course very thin and ectomorphically built, and rarely ate anything substantial) with a chaotic lifestyle (her apartment was filled with junk and completely disorganized and she was always on the edge of financial disaster) she reminded me of the eccentric waifs all ages, genders, and persuasions who graced my mother’s dinner table after my father died. After she and I became an “item”, I felt that I was in a dream come true: in the midst of a whirlwind romance, living the sort of improvisational quasi-foodless lifestyle that I had longed for as a teenager immersed in Dickens.

Now almost 70, as a legally single woman in a studio apartment (I still have the same life partner but we do not live together) living on a very modest income, without any family, I suppose I am a kind of waif and orphan myself (when my partner dies I will have no one with whom to spend Thanksgiving, for example). But sadly, I am now much too old to be anyone’s Hannah.










 
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Despite my parents’ being militant atheists and my mother being ethnically Jewish, the “Christian assumption” ran through everything I was exposed to as a child, from literature (mostly British Victorian or Edwardian) to idioms (“christen” was a common synonym for “name” [as a verb], “Christian name” was a common term for “first name,” and “un-Christian” was a synonym for “uncharitable”) to the mother of all holidays, Christmas.

So I grew up amidst this “Christian assumption,” but my life as it was lived was not part of it. When I say “Christian” I am not speaking of deeply held faith, but of a culture. And it wasn’t my mother’s Jewishness that made me “not of” the culture I am referring to. What was at issue was that my mother was modern. From the time she was a teenager, her chief self-identifier had been that she was a “New Woman”. New Women did not attend houses of worship, believe in a deity, ascribe to a code of conduct that originated in the Old Testament, or use sentimental religious language to explain suffering or cushion the loss of a loved one. They did not believe in Heaven and Hell. They made sure that their children’s minds were “stayed” on the here and now, in other words, on science, progress, and, most of all, frank clinical talk about disease, death, and sex. My father, a midWesterner of Scots Irish descent, was a scientist who loathed religion as being at best superstition and at worst hypocrisy. He mentioned having been dragged as a child by relatives to a “hard shell Baptist” church where Jesus was often quoted, but “colored people” were not allowed. But what it all boiled down to for both of my parents was that to them, religion belonged to the past, and they belonged to the future.

For whatever reason, however, this did not stop my mother from immersing me in fiction where the Christian assumption ruled: Little Women, for example. The chapter in which Beth dies, many girls’ first exposure to reading while crying, takes its name “The Valley of the Shadow”, from the Twenty-Third Psalm. When Jo, the quintessential New Woman, cries to her mother that she misses her father, Marmee gives Jo a gentle sermon in which she refers to how she herself always derives comfort from God the Father. (And later in the book Jo says “If God spares Beth I will love Him and serve Him always.”)

Was Jo less of a “New Woman” because throughout the book she equated religion with goodness? There are few times now when I miss my mother, but as I write this, I wonder how she would have answered this question. Most likely, she would have said that Jo’s thoughts and feelings needed to be put in historical perspective. Her talking about God and religion were like her wearing a long dress. A New Woman in 1959 would not have worn such a dress, nor would she have talked about God or used religion as a framework for ethics and character.

For me, the dis-union between what I was encouraged to read and how I was encouraged to think and be was made more painful by the fact that most of my classmates (and their parents) seemed to have at least one foot planted in the nineteenth century. (Gertrude Himmelfarb, whose writings on Victorianism had a profound effect on me, said that the Victorian Era didn’t really end until 1962.) Not all of these families went to church, but somehow their children had absorbed a lot of religiously themed vocabulary. People who died went to Heaven. “Taking the Lord’s name in vain” was wicked. Prayer was mentioned if someone was ill. Probably most of these children had been baptized. Then of course there were the Jewish families but I was not “of” them either. They had Jewish last names (mine was Scots Irish) and the children stayed out of school (schools were open then) on Jewish holidays. Some belonged to synagogues. Many did not, but none had a Christmas tree the way my family did.

Along with a rejection of religion and its (mostly sentimental or punitive) vocabulary was a disapproval of anything “old fashioned”. This catch-all included everything from pink clothing and long loose hair for girl children (I was only allowed long hair if it was braided, and I was constantly nagged to agree to having it cut), to antique furniture (everything in the house was teak and chrome, and the color scheme favored sour greens, oranges, and turquoises).

So I escaped into stories set in bygone eras, about girls from large families, who lived in big houses, had long hair with big bows, and wore long dresses with pinafores and high topped shoes – and then opened my eyes in my ultra-modern bedroom, which I hated with its orange bedspread, metal framed butterfly chairs with removable canvas tops, and formica desk. In addition to my hating its lack of aesthetic appeal, it had no literary associations. At least in the late 1950s, there were no magical stories about apartment-dwelling only children raised as atheists and groomed to be “modern”.

[That was sixty years ago. Since that time I have been a serious student of the literature and culture of Victorian and Edwardian England, and in my 50s, I became a choir member and soloist in a progressive Lutheran church. I am not baptized, and don’t consider myself Christian, but I have somehow managed to find a home there.]

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Rebecca MacLean

March 2019

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